Monday, April 14, 2025

Shadow Of The Vampire (2000)


The darkly humourous Shadow Of The Vampire is the perfect companion piece for Nosferatu. Its canny conceit is that the dangerously eccentric and driven director Frederich Wilhelm Murnau (John Malkovich) has made a devilish pact with a real vampire (an almost unrecognisable Willem Dafoe) to play the role of Count Orlok in his film, Nosferatu.

His payment? The chance to feed on the lead actress, Greta Schroeder (Catherine McCormack) during the climax of the movie.

Unfortunately for Murnau, things don't run smoothly as 'Max Schreck' aka Count Orlok starts killing off his crew.

Having been told that the actor 'Max Shreck' is a deep method actor, who always stays in character as the vampire, the cast and crew of Nosfesatu quickly find their location shoot in Czechoslovakia is anything but routine.

Suspicions arise, and producer Albin Grau (Udo Kier) and cinematographer Fritz Arno Wagner (Cary Elwes) conspire to unmask 'Shreck' and end his reign of terror.

Shadow Of The Vampire's (totally bogus) 'secret history' of the making of Nosferatu borders on slapstick with much of its camp delivery.

However, it then manages to slickly change gears for powerful moments such as Orlok's discussion of the inherent sadness of Bram Stoker's portrayal of Dracula (in the novel that Murnau couldn't get permission to officially adapt).

Watching the two films back-to-back allowed me to mentally place the scenes being created for Shadow's movie-within-the-movie in the real movie, but also - especially during the multiple murders in the final scene - to realise where it deviated dramatically from the actual Nosferatu.

As well as an amusing vampire film in its own right, Steven Katz's script - under the guidance of director E. Elias Merhige - gives us a fascinating insight into not only the silent movie making processes of the 1920s but also the lengths an 'inspired' director will go to to craft his masterpiece.

Ultimately Murnau is driven insane by the process and is willing to allow people to literally die, on camera, for his art (even as he is creating the first snuff movie).

No comments:

Post a Comment

My pop culture Odyssey: a slice of super-powered geek life with heavy emphasis on pulp adventure, horror, comic books, westerns, superheroes, sci-fi, giant monsters, zombies etc