Isekai (Japanese: 異世界; transl. 'different world', 'another world', or 'other world') is a sub-genre of fiction. It includes novels, light novels, films, manga, webtoons, anime, and video games that revolve around a person or people who are transported to and have to survive in another world, such as a fantasy world, game world, or parallel universe, with or without the possibility of returning to their original world.
Portal fantasy, also called portal-quest fantasy, gateway fantasy or crossworld fantasy, is a plot device in speculative fiction, particularly fantasy fiction and science fiction, in which characters enter a self-contained fantasy world through a portal, typically within a quest-based narrative that focuses on exploring and navigating that world. Portal fantasy works typically feature protagonists who enter alternate realities, explore unfamiliar landscapes, and encounter distinctive characters. Overall, portals in speculative fiction act as catalysts for narrative movement, worldbuilding, and thematic exploration.
With a new vision of
C.S. Lewis's Narnia coming to Netflix at the end of the year and the fact that I am listening to the BBC radio play adaptations of
The Complete Chronicles of Narnia, I'm entertaining different approaches to hooking players into any future fantasy roleplaying setting I conjure up.
Given that the current hot contender for "
game du jour" is the upcoming video game and anime-inspired
Twilight Sword, I can't help but be drawn to the concept of isekai (
see the definition above if you're not au fait with the term) - although I don't know if it would be appropriate for that particular game (
on the other hand it is baked into Break!! as a core character concept).
But, more specifically, my current travels in Narnia have got me wondering about the idea of "child adventurers".
I know these days this is a much more common concept - thanks to the ubiquity of
Stranger Things, a whole heap of anime, and RPGs like
Tales From The Loop and
Kids on Bikes - but it's an idea that takes me back to the early days of Steve's
Villains & Vigilantes campaign in the 1980's, where a core concept was you play "yourself with superpowers".
You didn't roll random numbers to generate your statistics, but rather you and your fellow players 'graded' each other on a scale of three to 18 for the the primary stats of your characters, then you generated random superpowers and bingo! That was how
the Acrobatic Flea was born.
But, of course, the big difference between superhero roleplaying games and
Dungeons & Dragons-style fantasy adventures is that supers games are generally skewed towards keeping the player characters alive, where as dungeon delvers tend to be fragile, little snowflakes when they are just starting out.
There is a long literary tradition of "child adventurers" - in fact many of my favourite books have juvenile or young adult protagonists (
e.g. Philip Reeves Mortal Engines saga, The Wizard of Oz and, of course, Alice's Adventures In Wonderland) - but literary tropes don't necessary work as written in a roleplaying format.
I like the idea of "Earth" men and women traveling to an alien world (
e.g Edgar Rice Burrough's John Carter books), as it means you don't need to explain everything to the players beforehand and they can explore the world as they go along, and I have no qualms about tooling up imaginary child characters with swords and bows, but what are the logistics of such a starting point?
How would I go about generating statistics for the player-characters? Would the players play younger versions of themselves (
as per Villains & Vigilantes) or roll new characters? How would players, particularly those who were parents, feel about putting (
fictional) young characters in harm's way?
.jpg)
.jpg)
