On the run from the police, voodoo-obsessed serial killer Charles Lee Ray (Deadwood's Brad Dourif) ducks into a toy store to hide.
In the ensuing firefight with Detective Mike Norris (Chris Sarandon), Ray is mortally wounded, but before he dies he manages to cast a voodoo spell that transfers his soul into one of the Good Guys' dolls on sale in the store.
The doll eventually ends up in the hands of single mum Karen Barclay (Catherine Hicks) as a present for her six-year-old son, Andy (Alex Vincent).
Little doe Karen realise that the doll is now supernaturally animated, and intent on exacting revenge of those it feels contributed to Charles Lee Ray's death.
When tragedy strikes around Andy no-one believes him that his doll is alive, and he ends up being taken into psychiatric care.
During his campaign of revenge, Chucky - as the doll calls itself - discovers how to transfer his soul back into a human body, which means more trouble for the Barclay household and Detective Norris.
As the first movie in the Child's Play franchise (before the multiple sequels, reboot, TV series etc), the mythology at work here is pretty straight forward, allowing the story room to breathe and develop at a natural pace.
Yet director Tom Holland - who co-wrote the film with John Lafia and Chucky's creator Don Mancini - still keeps things moving at a cracking pace, getting in and out of scenes at just the right moment, without a wasted moment.
Events unfold over a short period of time and in a relatively contained environment (I reckon well over 50 per cent of the movie takes place in the Barclay's Chicago apartment), limiting the number of potential loose ends and plot holes.
As well as the tense horror (home invasion, disbelieving adults etc), there's a definite slice of dark humour (naturally accentuated by the sight of an animated child's toy dropping f-bombs and attacking people) in Child's Play that simultaneously leans into and distracts from the inherent silliness of the premise.
An exciting and engrossing horror flick, Child's Play - unlike some of the '80s horrors I've been revisiting of late, thanks to various streaming services - works as well today as it did when it was first released.
It's clearly a period piece now, but the fashions and lack of mobile devices don't impact the story.
I definitely need to start tracking down the sequels, as I do love a good, rambling, horror franchise (check spoilerific video below for a taste of what's to come).

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