Missed Out On Free Conan Comic Day? Fret Not...

Conan of Cimmeria believed that Thulsa Doom’s evil had been banished forever, but the Atlantean necromancer’s dark power stirs once more and, if it cannot be stopped, the dead shall overtake the living! The Tyrant-King of Atlantis returns and all shall suffer, unless Conan and his brave allies can turn back the tide!

Did you miss out on the Conan The Barbarian offering on May 2's Free Comic Book Day?

Don't worry - publishers Titan Comics has you covered. The 24-page book is now available as a free, downloadable PDF direct from them, here.

Written by legendary Conan scribe Jim Zub, with art by Jesus Merino, the comic is a prelude to the next big Howardverse comic book crossover event, Tides of the Tyrant King, starting in the Autumn.

This year's event ties into the classic 1929 Robert E Howard pulp story Skull-Face, his take on the Sax Rohmer's popular Fu Manchu adventures that began in 1912.

Tides of the Tyrant King also features, from the original Skull-Face yarn, Soldier Stephen Costigan, cousin of my favourite Howard creation Sailor Steve Costigan.

Dragon Crusaders (2011)

You have to admire the unrepentant chutzpah of The Asylum for its continued use of unattributed quotes making grandiose claims on their DVD boxes.

For Dragon Crusaders, an "anonymous critic" has declared it: "an epic action adventure in the tradition of Clash Of The Titans and Reign Of Fire!"

The Reign Of Fire angle being that it features dragons and the only Clash Of The Titans (presumably the remake) connection is the use of dodgy CGI - and, to be honest, it's actually a bit better here.

Dragon Crusaders is typical, low-budget Asylum mockbuster fare, but I've always contended that their fantasy, sword-and-sorcery titles are among their best - 2006's Dragon was the first Asylum flick I saw and remains my favourite.

A group of outlawed Knights Templar are fleeing across faux-Medieval England to find a sanctuary from the pursuing soldiers of the king (who we never see and are quickly forgotten about) when they are distracted by sounds of battle in a nearby town, which is being raided by pirates.

The Templars - of course - ride in and save the day, slaying the pirates, and then heading out to the pirate ship (which looks oddly anachronistic) to finish the job.

Unfortunately, as they arrive, a captive witch - Neem (Shinead Byrne) - on the ship has just finished invoking a curse that any who set foot on the boat and have shed blood will be transformed into demonic gargoyles.

The curse has a couple of twists - first anyone affected by it, but slain before the transformation takes place, will rise as a revenant and secondly the purer the soul of the cursed the longer the transformation will take.

Dispatching the pirate-revenants with the aid of wandering warrior woman Aerona (Cecily Fay), Neem reveals that she found the curse in a grimoire she stole from the "Black Dragon" sorcerer who has her people in thrall.

And the only way to break the curse is to travel to the Black Dragon's fortress and slay him. Oh, and Faolon (Steve McTigue) is called the Black Dragon because he can transform into one and has another seven, smaller dragons under his control.

There's witchcraft, bickering, internal disputes, chaste romance and some pretty decent fight scenes (even if one of the largest, against an entire 'village' of the sorcerer's slaves, just seems to suddenly stop without any resolution) along the way and if you can ignore the plot holes, dreadful acting, cheesy dialogue and laughable attempts at banter, Dragon Crusaders is an okay film.

Welsh-location filming certainly adds to the verisimilitude, and the woodlands and sweeping, rolling landscape makes for a dramatic backdrop to the action.

A 'silent' knight turns up at one point, peppering our heroes with arrows, seemingly commanding Faolon's dragons and then challenging the lead Templar, John (Dylan Jones), to single combat... but then disappears from the story as suddenly as he appeared.

Throw in some exploding salt peter for good measure, some slick fight moves from Aerona and the Templar's resident archer (Feth Greenwood) and there's quite a bit to keep you entertained for an hour-and-a-half as long as you aren't expecting a replay of Peter Jackson's Lord Of The Rings or either iteration of Conan The Barbarian.

TOMORROW IS FREE COMIC BOOK DAY!!!

Tomorrow is that most wonderful day known as Free Comic Book Day (and Comic Giveaway Day, for reasons).

The day when comic book publishers (large and small) try to tempt you to try their wares - or hook existing readers in for the next "must read" story arc - with free sampler comics at your friendly local comic store.

Remember, the books may be free to you - but the store still pays for them, so don't be greedy!

I've already revealed several of the titles that have caught my eye this year, such as the two Conan comics and Marvel's "apes and aliens" book, but there's also a He-Man and the Masters of the Universe/Dungeons & Dragons offering from Dark Horse that will scratch a certain itch.

This Month Conan Teams-Up With Legendary Italian Hero

Issue one cover art by Roberto De La Torre

Pulled to the mysterious land of Erondár by dark forces, Conan comes face to face with the famed dragon slayer, Dragonero, and the two warriors must set aside suspicion to stand back-to-back against a supernatural force poised to doom both their worlds.

This landmark crossover brings together two legendary heroes in a story that honours classic sword-and-sorcery while forging something bold and unforgettable.

On May 13, Conan of Cimmeria and Dragonero meet for the first time in Conan & Dragonero #1, from Titan Comics.

The Cimmerian Is Ablaze Once More

Cover art by Chris Regnault

Continuing yesterday's celebration of upcoming comic book releases related - or inspired by - the works of Robert E Howard, July also sees the start of a new miniseries for The Cimmerian.

Once again, after a break of about four years, Ablaze is publishing the English-language translation of Glénat's original French "uncensored" adaption of Howard's Conan adventure Xuthal Of Dusk (aka The Slithering Shadow).

Conan, accompanied by Natala - a slave of wild beauty - advances through the seeming infinity of a sandy desert. With water and food supplies now exhausted, and with the two stranded in turn under a blazing sun and frigid nights, it is clear that the inevitability is death. Right as Natala’s final ounce of strength leaves her, Conan spots something in the distance. It’s a city that shines like glass. It’s Xuthal…

Written by Christophe Bec, with art by Stevan Subić, this will be a three-issue miniseries and marks the regular return of The Cimmerian series, following on from the publisher's Free Comic Book Day release at the start of next month.

Variant cover by Stevan Subic

As I understand it (I am not a copyright lawyer, nor do I play one on TV), Ablaze can publish The Cimmerian because it limits itself to republishing existing European adaptations of Howard’s original Conan stories that are in the public domain in Europe.

Heroic Signatures controls the global Howardverse I.P and works with Titan Comics to publish its new, original, line of wildly successful comics and magazines inspired by Howard's work.

It struck a deal, six or so years ago, with Ablaze to translate and distribute the French Glénat bande dessinée adaptations as The Cimmerian (to differentiate these comics from Titan's new Conan books).

The Real Hyborian Age?

Map of Robert E Howard's Hyborian Age, from Titan Comics' Conan The Barbarian

In 1932, Robert E. Howard wrote an essay describing an advanced civilization at the end of the last Ice Age, destroyed by catastrophe and flooding, followed by a final period of glaciation. He called it the Hyborian Age. Today, Graham Hancock argues for essentially the same sequence of events using modern geological evidence. But Howard got there first, drawing on sources that go back over a century.

In this video, I trace the intellectual roots of Howard's fictional prehistory through Ignatius Donnelly, the Theosophical tradition, Charles Hapgood, Jack London, Yogi Ramacharaka and B.G. Tilak, who argued that Vedic myths preserved memories of an Arctic civilization destroyed by glaciation.

Featuring rare first editions from my personal collection including the 1938 LANY first publication of The Hyborian Age, one of fewer than ten known copies.

A fascinating half-hour presentation by Howard scholar and essayist Jeffrey Shanks (his erudite writings appear in every issue of Titan Comics' bestselling Howardverse books).

In this feature, he looks into the early 20th Century (and prior) archaeological, historical and pseudohistorical, mythological, and occult ideas on prehistory and the Atlantis myth that fed into Robert E Howard's fictional setting of the Hyborian Age.

THROWBACK THURSDAY: Gil Kane

When you're a very young kid reading comics you don't really pay attention to the credits.

Before I became a serious collector in my late teens/early 20s, I was picking up random issues as and when I could find them - either the original colour American comics or the black and white reprints that came out over here.

But I couldn't tell you who drew them. To be honest, I doubt I could have even told you who had written them!

I'm not sure when it happened, but the first artist whose style I recognised as distinctively different, and actively sought out, was that of Gil Kane. I liked his stark lines.

Then my tastes expanded to being able to pick out the work of Carmine Infantino whose art, to my untrained and uneducated eye, I thought was quite similar to Kane's work.

But it's Kane's illustrations that have always held a particular nostalgia for me, taking me to being a little kid, with my comics spread across the bedroom floor, following the adventures of sundry superheroes around imaginary cities, throughout space, and even into different dimensions.

Monday (April 6) was the 100th anniversary of Kane's birth.

Ator The Fighting Eagle (1982)

"During the childhood of mankind, while some colonies have only just discovered fire, others are already using technology, Inventor Akron discovers the 'radiating matter' which can be used to make earth a paradise or a hell. Soran, a strayed former pupil of Akron, steals his invention. Akron sends out his daughter to fetch the invincible Ator to fight Soran..."

-- so reads the descriptive blurb on the back of my DVD of Ator The Fighting Eagle. Only that's not the plot of Ator at all! But then the poster shown above is also rather misleading as Ator never uses a three-headed flail and his animal companion is a cute bear cub - not a sabretooth tiger!

This (unintentionally?) hilarious, cheesetastic film has Ator (Miles O'Keefe) on a mission to rescue his new bride, Sunya (Ritza Brown) - who he had believed was his sister until the moment his 'parents' gave their blessing to his wedding plans - from the Temple Of The Spider.

A mockbuster years before The Asylum made it an artform and released to cash in on the original Conan movie, Ator has a by-the-numbers, Joseph Campbell "hero's journey"/Star Wars storyline.

The titular protagonist even picks up an Obi-Wan-style mentor, Griba (Edmund Purdom), and a money-driven Han Solo-ish female rogue Roon (Sabrina Siani) along the way to help him blow up the Death Star... er... destroy The Temple Of The Spider.

It's all tied-in to a very long - and highly detailed - prophecy about how Ator's true father, the legendary Tauren, was doomed in his quest to defeat the Spider Cult and so the destiny has passed to his son, Ator.

The main problem is Ator is rather a rubbish hero - frequently bested in combat, gullible and, frankly, not the sharpest tool in the box - he is constantly being rescued by Roon and the cute bear cub.

The fights are joyously lacklustre, which only adds to the humour, and a couple of times Ator simply abandons Roon during a fight when his attention is distracted by something else.

He only appears to be able to beat people if he catches them by surprise - or has an incredibly powerful magic shield of zapping to hand!

Couple this with stilted and corny dialogue, some wonderfully WTF "monsters" (the walking dead that simply disappear, the blind warriors, the shadow demon, the shapechanging sorceress, the giant spider etc) and all the elements combine to make Ator The Fighting Eagle an incredibly entertaining - and amusing -  way to waste 90 minutes of your life.

That said, as Italian swords-and-sorcery films go, it's head and shoulders above Conquest, the scenery is surprisingly interesting - with strange statues dotted around the landscape - and some of the 'encounter' ideas aren't half-bad.

Honestly, I Can Justify Buying These Two New Games

Remember back in February when I implied that I wasn't going to buy any new roleplaying games?

Well, much to no one's surprise, that pledge didn't exactly last. Although I would argue that my recent purchases may have some degree of utility in my proposed 'anime-influenced' fantasy campaign that I'm hoping to run with Twilight Sword.

In the past week, I have acquired the Pirate Borg Starter Set and the core rulebook (and some add-ons) for the new Conan: The Hyborian Age roleplaying game.

Both are peak examples of modern production standards, although I know already my chances of actually running either are next to next to zero.

These are reference works, first and foremost, because I am fascinated by pirates and I am fascinated by Conan, and always imagine slipping elements of both into my fantasy games.

First off, though, I have to point out, for those who aren't already aware, the Pirate Borg Starter Set is probably the best RPG starter set I have ever seen.

For a ridiculously low cost (when you consider what's included), you get all of this in the solid, deep box:

That's an introductory rulebook, a campaign book, item cards, a pack of character sheets, some reusable character sheets with felt pens, three sheets of card counters, several battle mats and game maps, and a full set of  gorgeous (stylishly simple) dice.

None of these are cheap quality or flimsy. These items are designed for use at the games table. Even the inside surface of the box lids (top and bottom) have useful charts and tables on.

Much of this material, obviously, can be used with other game systems - which is good, as I still dream of running a nautical adventure, even if not with this elegant Mörk Borg hack.

My other purchase - this time from eBay - was an ex-Kickstarter bundle of core material for the, as yet, unreleased to retail new Conan roleplaying game, published by Monolith.

Unlike Pirate Borg, I haven't read more than a few lines of this yet, but from what I've seen it looks a reasonable simple and uncluttered system (especially compared to previous Conan RPGs that were overwhelmed by character feats, abilities, splat books etc).

I already appreciate the use of large text and white space (as you can see from the random selection of pages below), which tells me this should be straight forward for a numpty like me to grok.

As well as the core rulebook, my eBay bundle included a large map of Conan's world in the Hyborian Age, two packs of blank character sheets, and a collection of ready reference rules sheets to use when running the game.

She Is Conann (2023)

Presented as a series of vignettes, 2023's She is Conann, written and directed by Bertrand Mandico, is supposedly a feminist take on Conan The Barbarian

I would beg to differ. The various segments of this French art house offering present Conann (Con-ann, gettit?) at different stages of her life (which, as far as I could tell, was the main similarity to Robert E Howard's stories of Conan The Barbarian), starting as a peasant girl captured by barbarians led by the red-haired Sanja (also called Sonja), played by Julia Riedler.

Both Sanja and Conann turn out to be immortal - for no readily explained reason - but whereas Sanja is played by the same actress throughout her various appearances, Conann is portrayed by a succession of different actresses: Claire Duburcq at age 15, Christa Théret at age 25, Sandra Parfait at age 35, Agata Buzek at age 45, and Nathalie Richard at age 55.

Nearly always in her orbit is the dog-man Rainer (Elina Löwensohn), a cameraman documenting her life and narrating the movie. All very gender-fluid and meta, but ultimately sound and fury signifying nothing. 

Rainer (Elina Löwensohn)

Why is Rainer a dog-person? Who knows! However, I must admit that the make-up on Löwensohn (and the other dog-people who pop up) is very impressive. My mind couldn't help wandering to the dog-people of Jeff Noon's excellent Vurt books, and wondering why these had never been adapted to the big screen.

Perhaps She is Conann is meant to be a commentary on the broader machismo and sleaze of many of barbarian movies of the 1980s? However, to my mind, any film that requires a crib sheet to fully grok is a huge red flag.

She is Conann begins in a sci-fi/fantasy world (supposedly Sumeria, but you'd never know), with strong '80s-throwback, retro vibes (accentuated by the fact that the entire film is shot on a series of soundstages with old school, direct-to-video, levels of set decoration).

The story soon jumps to a more contemporary period and all semblance of a sword-and-sorcery setting is forgotten (bar the odd reference to "barbarism").

Every segment ends - segueing into the next - with the Conann of that period being slain by her next 'incarnation', until the final story when she has become a multimillionaire patron of arts and gives herself up to the artists she supports as an edible work of art.

The creators can only inherit Conann's limitless wealth if they totally consume her specially-prepared body.

The deliciously disturbing body horror sequence that follows is really the highlight of She is Conann. 

This being the most overt, and clear, segment of the movie, I'm pretty sure there was a clever metaphor about 'eating the rich' in there should you be inspired to look for it.

Shot primarily in black and white, but switching to colour every now and again, She is Conann is also largely in French (with subtitles) except for a segment set in '80s New York when the characters speak - and swear - in English.

Ultimately, the 105-minute movie is a stylish, but empty, mélange of assorted styles and ideas from far superior sources, the unique cinematic voices of Peter Greenaway and Derek Jarman mixed with literary tropes from Michael Moorcock and William S Burroughs.

Oddly though, as infuriatingly incomprehensible as much of it is, the story flows and moves quickly, probably helped along by the comparatively short length of time spent on each period of Conann's life.

But that also means each iteration never hangs around long enough for us to truly understand her character at the moment in her life or her motivations.

Presumably every directorial and narrative choice in the film has been made for a reason, it's just unclear what those reasons were.

On paper Bertrand Mandico's recipe for reimagining Conan The Barbarian should have created a perfect meal for this viewer, who usually has a lot of time for clever art films, but instead She is Conann is disappointingly too pretentious for its own good.

It's Swords Versus Sorcery As Conan Faces Dark Gods

Currently scheduled for release on Life Day, Conan: Gold for Dark Gods has just been announced as a new, original, hardback adventure for Robert E Howard's legendary barbarian.

Published by Titan Books, in partnership with Heroic Signatures, the 400-page novel by sword-and-sorcery author Jonathan French, will be part of - although self-contained - Tides of the Tyrant-King, Titan's next big event storyline in its wildly successful Conan The Barbarian comic book line.

The official blurb for the book, now available for pre-order ahead of its November 17 publication, is as follows:

Conan returns to Shadizar the Wicked, the world’s cruellest city, after an old ally is executed for daring to defy the cabal of nobles who rule. He’s come to ensure the tutelage of his dead comrade’s son, and Conan’s first lesson to the boy — take revenge!

The rich masters of Shadizar rule through masks. Finding them is nigh impossible, killing them pointless, for more moneyed men would only step forward. There is only one way to make them pay: rob them blind. To succeed, Conan assembles a crew to infiltrate the Gilded Garden, the fortress-palace where the city’s elite hoard their wealth. If they can find it…

As the crew search for the Gilded Garden, they uncover it contains not only the rulers’ wealth but the sorcerous secrets of their power — ancient pacts with dark gods.

Conan must choose: is he merely a thief chasing coin and vengeance—or something far more dangerous? A rebel willing to topple a regime.

In the meantime, don't forget there's a horror-themed Conan novel, The Brides of Crom, hitting stores next month (earlier than original announced).

Beastmaster III - The Eye Of Braxus (1996)

The beastmaster Dar (V's Marc Singer) is reunited with his young half- brother Tal (Starship Trooper's Casper Van Dien, sporting a most unconvincing wig) now ruler of the small barbarian kingdom of Aruk, and the warrior Seth (horror legend Tony Todd), both characters from the original movie, but now recast.

Tal was bequeathed a mysterious amulet by their late father, and this is - of course - the MacGuffin (the titular Eye of Braxus) sought by the warlord-wizard Agon (the ever-excellent David Warner).

After Dar leaves Tal's encampment, it is set upon by Agon's Crimson Warriors (so-called because of their red-coloured sword blades) who kidnap the king and take him back to their master.

You can't go wrong with David Warner

Agon is pissed though because Tal no longer has all of the Eye of Braxus, which is required to open a doorway beyond which lies the imprisoned Lord of The Pit, the evil old god Braxus, and "ultimate power" to any who release him.

Canny Tal had given half of the medallion to his wandering, nomadic brother for safe-keeping.

Driven to rescue his brother, Dar teams up with Seth, who had been acting as Tal's advisor, and roguish-swordswoman Shada (Sandra Hess, who played Andrea Von Strucker in The Hoff's Marvel movie, Nick Fury, Agent of S.H.I.E.L.D, and who has surprisingly coiffured hair for someone in her line of work).

Shada's loyalties tend to flip-flop, as she - rather successfully - plays both sides, and eventually picks the winning one.

As a love-interest for Dar, Shada was never going to measure up to Kiri (the late, lamented Tanya Roberts of Charlie's Angels fame) from the original Beastmaster, but she grew on me as her character developed.

Near-naked and constantly oiled-up Dar is never without his small coterie of telepathically-linked animal companions, a pair of ferrets (representing his cunning), a hawk (as his eyes), and a lion (for strength).

Oddly the lion has the same name - Ruh - as Dar's panther from the first film, but I suspect this is a similar naming convention to The Witcher's Geralt of Rivia always calling his horse Roach.

By the way, these aren't CGI creatures, but flesh-and-blood animals on the set, which does make a scene of the lion's capture slightly uncomfortable viewing, but I like to think the noble beast's handlers took good care of it.

After a run-in with some savage hill people, Seth, Dar, and Shada get to Agon's city, and decide to join a circus camped outside the walls, as a cover to smuggle themselves in.

Only the circus (which seems to have just two performers and a stable boy on staff) turns out to be run by an ex-lover of Seth's, Morgana (soap opera stalwart Lesley-Anne Down), who possesses a magical gem in her headband that can turn living things into animals.

Morgana, Dar, and Shada

This all gets a bit awkward, and leads to an another apparent betrayal of Dar, but Morgana actually has a plan and Dar being imprisoned in Agon's fortress is part of it.

I have to admit that I really enjoyed Beastmaster III: The Eye of Braxus, like the previous films in the franchise it neither takes itself too seriously nor sends-up its subject matter.

The low, made-for-TV, budget, and the steady hand of established television director Gabrielle Beaumont (who lists multiple episodes of Star Trek: The Next Generation, Hill Street Blues, and L.A. Law, to name-check just a few, on her CV)  lends an air of Xena: Warrior Princess and Legendary Journeys of Hercules to proceedings that prepares us mentally for the "man-in-a-rubber-suit" final Big Bad.

While David Wise's script has its plot wobbles on occasion and isn't going to win an Oscar, there's great evidence of world-building here. More places and people get actual names in Beastmaster III than most B-movie sword-and-sorcery flicks.

The cast may be small - and this makes for some comically empty backdrops to some scenes - but most of the named characters we meet are interesting and quirky.

So much of the story also has a very Conan feel to it, but it's just the budgetary limitations once again that prevent it from going full wide-screen barbarian, instead recasting Dar's band of brothers as a mismatched party of Dungeons & Dragons adventurers instead.

It's all a question of managing your expectations, if you go in expecting another chapter of Peter Jackson's Lord of The Rings, you're going to be disappointed, but if you're looking for something more akin to Hercules or Xena then you can have a great time with this hour-and-a-half movie.

Yes, of course, it could have been so much better, but there's actually so much to enjoy that did make it onto the screen that I must confess I was pleasantly entertained by The Eye of Braxus.

The Beastmaster (1982)

Growing up in pre-Internet days, Marc Singer was always "that guy from (the original) V" while the stunning Tanya Roberts was one of the last, true Charlie's Angels (and, almost certainly, my first red-haired crush).

Little did I realise at the time that they both had a whole 'nother life in the fantastic swords and sorcery flick The Beastmaster.

Singer is the barbarian Dar, born with the supernatural ability to communicate with animals and see through their eyes (if he concentrates hard enough), whose home village is razed by the Jun horde - a merciless army of killers working for Maax (Rip Torn), the high priest who has seized control of the land.

On the path to revenge, Dar - and his animal companions (a couple of ferrets, an eagle and a black-painted tiger seemingly masquerading as a panther) - meets up with 'slave girl' Kiri (Roberts), warrior Seth (John Amos) and a young boy called Tal (Josh Milrad), all seeking to free the land from Maax's cruel grip and restore Tal's father Zed (Rod Loomis) to the throne.

Along the way there's all sorts of hijinks with a variety of humanoid monsters (including a trio of hag-like witches working for Maax; leathery-winged beasties that envelop their victims in their wings and suck their skin, innards and muscles off; and the insane, rampaging death guards), plenty of fighting, some decent (for the '80s special effects) and a surprisingly complex plot (or maybe I was just distracted by Tanya Roberts).

The Beastmaster even manages to throw in a couple of false endings, so that just when you think Maax has been beaten and all is right in the world, the Jun horde come riding back over the horizon and our heroes have more troubles on their hands.

And Dar is an interesting barbarian - although clearly inspired by Conan (as all barbarian movies were in the '80s), he isn't superhumanly strong, has a soft side (he cries when Zed calls him a coward and kicks him out of their gang - and at that stage he doesn't even know Zed is his true father) and clearly loves his animals (he won't leave the temple dungeons until he has found his ferrets).

Of course, it still has its odd moments - such as the scene where Dar and Seth rescue Kiri and some other girls from the priests who are taking them to be sacrificed. Our heroes only actually liberate Kiri and nothing is ever said or done about the other girls who were, presumably, eventually taken off to be sacrificed anyway!

And then, of course, there's the scene near the start where one of the hag-witches walks into the king's bedchamber at night with a cow - I'm calling "magic spell" on that one, though, otherwise it's too bizarre for words (especially given the wonderfully revolting sorcery that follows).

However, so well made and well paced - under the direction of co-writer Don Coscarelli (who also directed the four highly-regarded Phantasm movies and Bubba Ho-Tep) - that even at just under two hours duration, The Beastmaster never outstays its welcome.

THERE CAN BE ONLY ONE (GRAPHIC NOVEL)

For the longest time, fans of the Highlander movie franchise have argued that there should only be one... the first, the original 1986 film starring Christopher Lambert, Sean Connery, and Clancy Brown.

But come November, this conviction will be challenged with the publication of a new graphic novel, Highlander: The Original Screenplay.

Published by Titan Comics (which brings us the much-lauded new adventures of Conan The Barbarian every month):

This lavishly illustrated volume presents the immortal saga of Connor MacLeod as it was first imagined - long before it became a cult-defining cinematic classic.

Returning to the story's roots, the graphic novel offers fans a rare chance to experience Gregory Widen’s original narrative vision in full, capturing the mythic scale, tragic romance, and operatic violence that made Highlander a cultural touchstone.

Highlander: The Original Screenplay is scheduled for release on November 17, and aims to present the legendary saga as you’ve never seen it before.

Below you can drool over several preview pages by the book's artist Szymon Kudranski, whose work might be familiar to fans of Marvel, DC, and Image comics:

In The Name of The King - The Last Mission (2014)

Dominic Purcell (from The Arrow'verse shows and Prison Break) is Hazen Kaine, a burned-out, no-nonsense American hitman working in Bulgaria. His "last" job - before retirement - is to kidnap the two daughters of the Bulgarian royal family, so his paymasters can demand an enormous ransom.

Although he's having doubts about his latest assignment, he hides the girls in the nominated shipping container anyway, then notices that one is wearing a pendant that matches the tattoo on his arm (which his late wife chose for him).

The girl tells Hazen the medallion, a family heirloom and talisman of protection against things he wouldn't understand, is magical. He takes it outside for a closer look... and causes a rift in time and space to materialise and drag him through.

Hazen finds himself in a mysterious land - which, he later learns is also called Bulgaria, but clearly is a fantastical, pseudo-Medieval version - and stumbles into a nearby village which is being attacked by a dragon!

He uses the last bullets in his gun to drive off the dragon, in the process befriending a pair of warrior princesses, Arabella (Ralitsa Paskaleva), and Emeline (Daria Simeonova).

They're living in this village because of Game of Thrones-style violent machinations which saw one of their uncles, Tervon (Marian Valev), usurp their father and steal his throne.

They are now part of a rebellion led by their other uncle, Tybalt (Nikolai Sotirov).

Eventually, Hazen comes to accept his position in this new world - his tattoo marks him out for a special destiny - and hatches a plan that will allow him to slay Tervon and steal the king's magical medallion, which will send Hazen back to our world.

During all this he develops a rather cute and chaste romantic relationship with Arabella; the hitman's flirting technique seems to be telling her about the horrific fiery death of his wife at the hands of other gangsters.

Hazen's big plan comes to nowt, as the rebels are ambushed in a forest by Tervon and his men.

However, the fight goes surprisingly well in favour of the rebels, even though Tervon has been controlling the dragon this whole time.

The evil king flees back his castle... followed by Hazen and Arabella.

The castle is remarkably easy to access and our heroes fight their way through Tervon's goons to confront the Big Bad on the roof of the castle, where Hazen dispatches him, causing the time rift to reopen.

This time, not only does Hazen travel back to our world, but also the dragon. Not entirely sure why Arabella didn't go with him.

Hazen then races to where the kidnapped girls have been hidden and fights the mobsters who have come to collect him... at which point you realise that the head gangster Ayavlo is also played by Marian Valev.

Does this mean that Hazen's whole isekai adventures in In The Name of The King - The Last Mission were a dream? Or a metaphor? He does kidnap two young princesses in our world and then become entangled with two princesses in the fantasy world. But then how do explain the dragon now loose in the skies over Sofia? 

There's a lot that's handwaved in Joel Ross's 85-minute script and under Uwe Boll's taut - let's get things done - direction. As an example, I particularly loved the blasé attitude of, I guess, the king of Bulgaria to having his daughters kidnapped and then returned by the same person. It rather implies that this happens all the time!

Honestly, for my money, too much time is spent in modern day Sofia and I'd have preferred Hazen to stay in mythical Bulgaria with his new love... but then that would have left the kids in the shipping container and at the mercy of the gangsters.

In D&D terms, I reckon it's a young black dragon (although it breathes fire)

For a decade-old, low budget , direct-to-video sword-and-sorcery flick, all the special effects, including those that bring the dragon to life, are pretty decent. Of course, the beast is obviously CGI, but I've seen far worse in this calibre of movie (yes, Asylum, I'm looking at you).

On the other hand, the fact that the rebellion relies on caves so much - despite having several villages to call their own - is a real throwback to '80s sword-and-sorcery films that also often operated on similar microbudgets and had to make do with what nature provided.

Director Uwe Boll certainly makes great use of the beautiful Bulgarian landscape and the film was largely filmed at Nu Boyana Film Studios where, co-incidentally, the new Red Sonja movie was shot as well as Jason Momoa's Conan The Barbarian and the excellent last Hellboy movie, The Crooked Man, and many other great films.

Dominic Purcell and pretty much the entire Bulgarian cast of In The Name of The King 3 are all great and clearly invested in their roles, but they're not always best served by a script which barrels along at such speed that a lot of plot threads are just left dangling.

It's also a shame that In The Name of The King - The Last Mission appears to be totally disconnected from either the first or second films in the franchise.

I'd rather hoped that Hazen was actually in the Kingdom of Ehb (where the previous films took place) and that Arabella and Emeline were the daughters of Dolph Lundgren's Granger, to continue the generational narrative of the two earlier movies.

I guess there's always headcanon. 

The Sword and the Sorcerer (1982)

Albert Pyun's 1982 The Sword And The Sorcerer is B-movie gem that doesn't need a review.

If your gaming is fuelled by a love of these great, pulpy epics from the '80s then you will have seen this countless times and realised that - as much as anything - it's a Dungeons & Dragons adventure turned into a movie.

From the pithy one-liners and dark humour to the casual nudity (primarily restricted to the one scene where our roguish hero escapes through the bad king's harem), this is a love letter to Conan The Barbarian and Leiber's Lankhmar.

The protagonist, swashbuckling Talon (Lee Horsley) - seadog, adventurer, mercenary general - is a great role-model for player characters, cut from the same loin cloth as Howard's Cimmerian warrior.

And you have to appreciate the fact that, although the rightful heir to the kingdom being fought over, Talon has no interest in the throne, or marrying the princess he rescues. This is just one adventure for him, out of a string of many.

While full of memorable moments, as all this era of swords and sorcery cinematic shenanigans were, the most memorable aspect of The Sword And The Sorcerer is the titular 'sword'.

And I'm pretty sure it's not even magical!

The wholly impractical sword had three blades, with the added bonus that the exterior two could be fired off like high velocity, short-range missiles.

Of course they didn't have an automatic return mechanism, so it was pretty much a one-shot effect for each combat... and if, for some reason, you were unable to reclaim the shot blade you'd need to find a swordsmith willing to make you a replacement.

But such logistics are irrelevant in this old school genre of movie.

Conan and Dragonero Team-up For First Time In English

Cover art by Lorenzo Nuti

Conan the Barbarian will team-up with Italian comic book icon Dragonero this May in a seven-part miniseries published for the first time outside of Italy by Titan Comics and Conan rights' holders Heroic Signature.

In Conan & Dragonero, the legendary barbarian finds himself transported to a mysterious land called Erondár, the home of dragon-slaying hero Dragonero.

After the traditional initial misunderstanding triggered by such meetings, the two heroes realise they must team-up to fight the mysterious forces that threaten both their worlds.

This series is written by Dragonero's creators Luca Enoch and Stefano Vietti, with art from Lorenzo Nuti.

Because much of Robert E Howard's work is in the public domain outside of the United States, this team-up book was originally published by Sergio Bonelli Editore in Italy back in 2022/23 as Dragonero & Conan The Barbarian: Shadow of The Dragon.

Now, it has finally made its way into the American comic book format:

TWO WORLDS COLLIDE IN A SAVAGE CROSSOVER YEARS IN THE MAKING!

CONAN OF CIMMERIA and DRAGONERO meet for the first time in an epic clash of steel, sorcery, and survival. Pulled to the mysterious land of Erondár by dark forces, Conan comes face to face with the famed dragon slayer, Dragonero, and the two warriors must set aside suspicion to stand back-to-back against a supernatural force poised to doom both their worlds.

Published for the first time outside of Italy, this landmark crossover brings together two legendary heroes in a story that honors classic sword-and-sorcery while forging something bold and unforgettable.

New Story Arc Begins Next Week For Conan The Barbarian

Cover art by Roberto De La Torre

Issue 29 of Titan's run of top-notch Conan The Barbarian comics is due to hit stores next Wednesday (February 25) - which means it'll probably arrive over here in the UK a week later.

This is the start of a new arc and is being touted by Titan as a perfect jumping-on point for new readers.

Scribe Jim Zub tells us:

"A new foe hunts Conan the Barbarian, tracking his spirit wherever he travels – a killer with keen blade in hand and teeth from old prey strung ‘round his neck. The Black Stone cult wants revenge and the Son of the Tooth is their weapon of choice."

Line art for the issue is by Doug Braithwaite, with colours by Diego Rodriguez, and letters by Richard Starkings and Tyler Smith.

You can see some sample pages below, as well as variant covers for the issue.

Variant cover art by Jesus Marino

Variant cover art by Martin Simmonds

Variant cover art by Doug Braithwaite

Variant cover art by Toby Wilsmer

The Adventures of Breckinridge Elkins by Robert E. Howard

Me and Breckinridge Elkins

This week on his Robert E Howard Show segment, my favourite booktuber, Michael K Vaughan, discusses the latest release from the Robert E. Howard Foundation Press, The Adventures of Breckinridge Elkins.

I just happen to have purchased this hardback tome recently (now that I'm trying to go 'all-in' on this line of definitive publications of Howard's work), although I have to confess the only Elkins' "tall tale" I've read is the one that was published in Savage Sword of Conan magazine last year.

Breckinridge isn't a Howard character I'm particularly au fait with. But Michael does a great job in this video of convincing me that I'll probably enjoy the book, as it seems to bear comedic similarities with my beloved Sailor Steve Costigan yarns, as well as being part of Howard's Western work.

It's 82 Days To Free Comic Book Day

These two Conan titles are top of my wish list for this year's Free Comic Book Day.

Ablaze adapts the tales penned by Conan's creator, Robert E Howard, in the 1930's while Titan's bestselling Conan The Barbarian comic tells all-new adventures, with this Free Comic Book Day offering launching it's next big event storyline: Tides of The Tyrant King.

Have you started to compile your own list of titles you are eyeing to pick up during this annual celebration of the power of comic books as a storytelling medium?