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| I made this! |
"It's not the girl, Peter, it's the building! Something terrible is about the enter our world and this building is obviously the door. The architect's name was Ivo Shandor. I found it in Tobin's Spirit Guide. He was also a doctor. Performed a lot of unnecessary surgery. And then in 1920 he founded a secret society...
"After the First World War, Shandor decided that society was too sick to survive. And he wasn't alone. He had close to a thousand followers when he died. They conducted rituals up on the roof, bizarre rituals intended to bring about the end of the world, and now it looks like it may actually happen!"
Not the introduction to a
Call of Cthulhu adventure, but some of Egon's dialogue from the original
Ghostbusters and highly pertinent to what I want to try and say here.
Speaking as someone who has entertained the idea of running both a
Red Dwarf RPG and a
Ghostbusters campaign, I have strong feelings about the intersection of comedy and roleplaying games.
Where I feel the old
Ghostbusters RPG went wrong - although I fully understand why they did it - was to establish a game world more inspired by the cartoons than the movie, full of bad puns, books with silly names, aliens in sports cars etc
The original
Ghostbusters movie (
a horror-comedy) worked because it was a seriously scary situation (
just read the backstory, above, again) being handled by humorous characters (
i.e. players in an RPG).
The humour comes from the approach of the characters (
and their wildly variable skill checks) rather than the situation
per se.
For me, that's where roleplaying game comedy comes from.
Why do you think there are so many memes about
Ravenloft campaigns featuring Leslie Nielsen's vampire from
Dracula: Dead and Loving It?
When a module (
or game) tries to be funny, it has to take the simplest approach, and that's the most universal. Which usually means bad puns.
And, I don't know if it's my British "stiff-upper-lipness" but I'd be too embarrassed to read out a NPC's dreadful pun name (
Ivor Clue, anyone?) to my group.
Humour is very personal, what's funny to one group may mean nothing to another.
I'd rather listen to me and my movie buddy Paul riff on a naff horror film than ever listen to something like
Mystery Science Theatre 3000.
Not because I think we're better at it than
MST3K, it's just we've developed our own in-jokes over years of watching crap movies and have our own points of reference that probably wouldn't mean anything to anyone else unfortunate enough to be listening in.
And it's the same for comedy in roleplaying games.
Of course, there are extreme comedy games, like the delightful
Toon and
Rocky & Bullwinkle, which are all about slapstick and establishing a cartoon verisimilitude, but they really lean into the craziness and are a whole 'nother kettle of fish.
However, take the set-up of
Red Dwarf: the last surviving human (
a bloke) who will never, ever, meet another human being in his life, have a family etc and knows he's doomed to die alone; a hologram of his priggish nemesis; an insane supercomputer; and an amoral creature evolved from a feral cat.
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| Ghostbusters |
In different hands, and depending how lenient the gamesmaster was, that set-up could unfold into a grimdark tale of Lovecraftian cosmic horror and existential anxiety.
But, in the hands of most roleplayers, it's almost certainly going to degenerate into wonderful silliness, knob gags, and banter.
A good gaming group, especially one that has been together for years and knows each other's senses of humour, can - sometimes too easily - turn any "serious" gaming set-up into a comedy.
I'm not talking about totally taking the piss and trashing the campaign setting (
that's just childish and idiotic behaviour), but having a laugh within the confines of the game can be very therapeutic.
There's always room for witty word play and the occasional actual joke written into the setting, but the players don't need to meet "NPCs with funny names".
They're gamers. Having fun.
If they have the imagination to play a roleplaying game, the chances are your players have a good sense of humour, so give them free rein to crack wise occasionally.
Sometimes, of course, this isn't appropriate for the setting or mood that the gamesmaster has carefully crafted, and he's quite within his rights to put his foot down, and remind the players that (
imaginary) lives are at stake.
It's just telling the group that they're playing, say, a
Ghostbusters or
Red Dwarf campaign gives players licence to relax a little, not take their characters' serious jobs so seriously, and relish in their screw-ups.
