More Uninvited Guests Drop In On The Planet of The Apes

Cover art by Stonehouse

Rather than giving the classic Planet of The Apes its own ongoing series, Marvel continues to push it as the perfect tourist destination for crossovers with its other properties.

The planet is currently enjoying a visit from the Fantastic Four, and in July the Yautja (aka Predators) are dropping in for a five-issue miniseries, Predator versus Planet of The Apes, penned by Greg Pak and illustrated by Alan Robinson.

"Worlds collide when a deadly Yautja crash-lands on the legendary Planet of the Apes!

"After a rescue mission gone wrong, astronaut Arch finds herself embedded in a hostile ape society where humans are subservient. But the hunters soon became the hunted when the apes find themselves being stalked by Predators!

"A three-way war is about to erupt between humans, apes and Yautja – who will reign supreme?!…

"Blending the mythology as well as the themes of both universes, the revolutionary saga pushes both Yautja and ape to their limit in a brutal battle for dominance!"

A prequel story to this series will appear in Free Comic Book Day Comics Giveaway Day's Alien, Predator & Planet of The Apes #1 (available on Saturday, May 2).

Variant cover by Tim Seeley

Movie cover variant art by Chris Campana

Return To Planet of The Apes For Comic Book Giveaway

As part of Comics Giveaway Day - an "alternative" to the established Free Comic Book Day but occurring on the same day - Marvel, having remembered it has the Planet of The Apes license, will be releasing a new story for our simian superstars in a book showcasing 20th Century Studios sci-fi.

Saladin Ahmed presents a tale set on a planet that’s already succumbed to Xenomorphs! And in Jordan Morris’ story, a Yautja warrior stalks one of Earth’s greatest fighters. All this and a return to the Planet of the Apes!

This free comic will be available in participating comic book stores on May 2 (which is also Free Comic Book Day).

Badlands Turns A Predator Into The Protagonist

The director of Prey welcomes you to a world of hurt. Experience Predator: Badlands on the big screen, in cinemas and IMAX November 7.

In the future on a remote planet, a young Predator (Dimitrius Schuster-Koloamatangi), outcast from his clan, finds an unlikely ally in Thia (Elle Fanning ) and embarks on a treacherous journey in search of the ultimate adversary.

Is it just me, but I'm getting serious Harry Harrison Deathworld vibes from the planet the Predator appears to find himself on? Haven't read those books since I was a teen, but that's where my mind immediately went when I saw this teaser.

Dek (Dimitrius Schuster-Koloamatangi), the young Yautja

Prey (2022)

Set in 1719 on America's Northern Great Plains, Prey follows eager young Comanche warrior Naru (Legion's Amber Midthunder), who struggles for acceptance by the male warriors in her tribe, despite her formidable tracking and herbal medicine skills.

Even her brother Taabe (Dakota Beavers) can't fully acknowledge her prowess.

However, when she spots a fiery "thunderbird" in the skies, she takes it as a sign that it's time for her "kuhtaamia", a coming-of-age ritual where you hunt something that can also hunt you.

When an enigmatic creature, presumed to be a lion or a bear, threatens her community, Naru goes off on her own to prove herself.

Only, it turns out that the big beastie in the woods is actually an alien Yautja (Dane DiLiegro) aka a Predator, who has come to Earth for some sport.

Escaping the alien killing machine, Naru and Taabe fall into the hands of a veritable army of brutish French fur trappers.

Even tooled-up with (admittedly primitive) rifles and pistols, the French prove to be little more than target practice for the heavy-armed, high-tech alien as it cuts a bloody swathe through their numbers on its hunt for more challenging prey.

Rhythmically paced, with no time for padding or slack, Prey is a lean, stripped back to basics, entry into the Predator franchise.

Taking place several hundred years before Arnie faced a Predator in Central America, this prequel engages a willing audience from its opening sequences - introducing us to the Comanche way of life - through to its kinetic, blood-soaked final act.

On one hand, it's a slow burn as the diametrically opposed hunters - human and alien - work towards their eventual confrontation, but on the other the film is beautifully and dramatically composed, making great use of the Canadian wilderness in which it was shot.

Assisted by her (thankfully) indestructible canine companion, Amber Midthunder is a charismatic action lead, although her Naru segues a bit too comfortably from hunting animals and fighting the Predator to out-and-out murdering Frenchmen.

Writer-director Dan Trachtenberg's script, co-written with Patrick Aison, does a great job of foreshadowing important elements that will eventually contribute to Naru's inevitable victory over the seemingly indestructible Yautja.

In the latter half of the 99-minute movie, however, it does tend to lean too heavily on emulating the original 1987 Predator and having Taabe actually say "if it bleeds, we can kill it" is a real cringe moment in an otherwise solid script.

What I'd like to see now is more of these "historical Predators": how about one set a hundred or so years later in the Wild West, or feudal Japan (Yautja vs samurai and ninja), or Medieval Europe (as depicted in the Kickstarter-funded Predator: Dark Ages, back in 2015), or during The Battle of The Somme (or some other grim First World War setting), or Victorian London, or the Stone Age?

The possibilities are endless. Although, if humanity wins every time you have to wonder why the Predators keep coming back!

Predators (2010)

The biggest surprise in this addition to the Predator franchise is how well Adrian Brody can pull off the 'hard man' act. Beyond that, no matter how exciting the film is, and it is, we've seen it all before.

Brody is Royce, a tough mercenary, who awakes in freefall over - what he soon discovers is - an alien jungle. He's been dropped in among a group of similarly bewildered and confused strangers, who all turn out to be soldiers, psychos, gangsters or criminals.

They have been snatched from Earth to be hunted by the Predator aliens on a planet-wide 'game reserve'... and that's about it as far as plot goes.

There's running, there's fighting, dodging traps, tangling with Predator-hounds and Predators, references to the original Predator movie, more running about, more fighting, a surprising cameo, some more running and finally some more fighting.

Of course, there's also a bit of crafty trickery along the way, but from the opening scenes it's pretty easy to single out which of the gang of hard nuts will survive until the final conflict and which will be fodder for the planet's killing machines.

Never dull, Predators is competently directed by Nimrod Antal, and the script by Alex Litvak and Michael Finch takes a stab at expanding the culture of the Predator aliens, while using them as dark mirrors for the 'predatory' nature of the humans, but it's simply not meaty enough to generate more than a shrug of passing interest.

Disappointingly forgettable, with no memorable set pieces, Predators - pedestrian as it may be - is perfect beer and pizza fodder for an undemanding audience who just want to wallow in some mindless, and ultimately pointless, sci-fi violence.