Clash Of The Titans (2010)

The 1980's original of Clash Of The Titans may not have been one of the strongest of Ray Harryhausen's stop-motion sword-and-sandal epics, but at least it had charm and excitement going for it.

And the definitive depiction of Medusa!

The 2010 remake is sadly lacking in all of those areas, with the reworked storyline transforming a classic hero's journey into a collection of random happenstance with no overriding logic.

Sticking to the same basic plot - Perseus has to kill the Medusa and use her head to petrify the unstoppable kraken before it eats the princess and trashes the city - this version manages to hit a few key beats (e.g. the Pegasus, the Stygian witches and Medusa), but then throws out so much from the original that worked well (Calibos, for instance, is reduced to just another monster to be slain).

Even ignoring the blatant jibe at the original - when Perseus is told to discard Bubo the clockwork owl - Clash Of The Titans tries too hard to "be different" and ends up being drab and unengaging.

As Perseus, Sam Worthington again demonstrates the total lack of charisma he showed in Avatar and while much of the CGI is quite impressive for its time, there seems little attempt at maintaining an Ancient Greek verisimilitude (who, for instance, were the strange rock creatures riding the giant scorpions and why did one join Perseus' group for no apparent reason?).

With the filmmakers almost total disregard - bordering on contempt - for the source material, it would have only taken a bit of a nudge further and this could easily have become just another Lord Of The Rings-aping fantasy film, devoid of any Ancient Grecian trappings.

Will 'Pensioners on Golf Carts' Be The Next Niche Genre?

In a seemingly perfect retirement community, a crew of unlikely heroes must stop an otherworldly threat from stealing the one thing they don’t have: time.

EPISODE FIVE: All Roads Lead To Doom

Atlantis

PREVIOUSLY ON OUTGUNNED ADVENTURES: When we last saw our heroes their aircraft was just emerging from a supernatural storm and in front of them lay the lost island of Atlantis!

As Onyx (our currently NPC pilot) banked the seaplane towards the island, we heard, aft, a loud cracking sound in the air. Looking back we realised the zeppelin had been struck by lightning, but - even more terrifying - it was now in the grasp of indescribably large tentacles that had arisen from the water and were squeezing the life out of the German craft.

Piercing the 'energy shield' over the island, we inspected the ruined and abandoned Greco-Roman city as we came in to land in the calming sea on the far side of Atlantis, parking the plane up on the beach so we could go exploring.

Onyx stayed with the plane - just in case we needed to make a hasty exit.

It soon became clear that the city had been abandoned by its populace - suddenly - a long time ago. The houses were falling down, furniture turning to dust, nature slowly reclaiming it all with encroaching vines.

Freya (Clare's photojournalist) was absorbed by the archaeology, while Buck (my explorer) and Dick (Kevin's former G-man) listened out for German survivors and any remaining natives.

Eventually we made our way up a main thoroughfare to the giant bronze gate barring the sturdy entrance to the central temple.

The door of four faces

As we approached, a poem was seen, carved into a wall, which Freya was able to translate:

"To face the sea, you must
catch the rising wind
follow the lesser stars
fear the darkened depths"

This sparked much discussion as to its meaning. We suspected it was a series of clues to solving any challenges we would have to face, But even the first four words took us a while to get our heads round - until Dick suggested it was "face" as in "confront" rather than "look at".

"Catch the rising wind" was clearly connected to the brass door, which was cast with four identical faces, their lips pursed in a blowing fashion (see picture above).

Using my lighter I detected a breeze from the left mouth and the bottom one, then Dick accidentally set off a pit trap when he probed one of the orifices with a rolled-up leaf. Thankfully, the only thing bruised was his dignity. 

After a lot of mental gymnastics, together with our vast selection of skills and feats, we eventually cracked the code and Freya had to suffer the minor embarrassment of putting her lips to one of the mouths and inhaling until there was an audible click and the door dropped down into the ground.

Beyond the vast bronze door was a flight of stairs heading down under the temple. As it was the only way we could go, we descended.

We quickly realised that the wall-mounted crystals were emitting light, some even set in small brass cages that we could lift off the wall and use as torches.

The further we went, we noticed a panorama of bas-reliefs on one side were telling a story: a boy finds a trident in the sea that grants him magical powers; he attracts a following, but as he older he gets corrupted by the enormous power; his followers rebel against him; the rebels kill the prophet and take the glowing trident to the temple; unfortunately calamity strikes and the temple is attacked by giant tentacles.

If this was a true record of the fate of Atlantis, we were very impressed that someone was so dedicated to their work that they stayed on to record the destruction of the city in stone as it fell down around them!

Reaching the bottom of the stairs, so that we were now at sea level, we found ourselves in an enormous cavern, bisected by a bottomless chasm, and crossed by a single stone bridge - that was adorned by three pairs of armed mermen statues.

The pathway across bridge itself (pictured right) was decorated with a panoply of star-shaped crystals, small, medium and large.

Buck thought he'd understood the "follow the lesser stars" clue, but treading on one of the small stars just woke the nearest merman statue. It swivelled round on its plinth to face Buck and tried to jab him.

Eventually, after another lengthy discussion, Buck and Freya were able to figure out what the patterns were (again drawing on their particular fields of knowledge).

Buck was then tasked with guiding his two companions across the cunning trap.

This was very tense [a LOT of dice rolling for me, with my colleagues' lives in my hands], but eventually everyone made it across - although I did stumble at the last moment and had to be pulled to safety by Dick and Freya.

On the far side of the bridge we realised there were no more crystals, but as we continued down the slope it actually began to get lighter.

Soon we entered a partially-flooded amphitheatre. We were just admiring the clear sparkling water when a massive explosion filled the room with dust and debris.

Emerging from the haze came a unit of Nazi soldiers (about 10 at a quick estimate), just as an altar rose up in the middle of the flooded stage - bearing on it a strangely familiar trident.

However, things escalated rapidly, for behind the soldiers came our nemesis, Professor Kasper Wieloch, no longer dressed in his military uniform but wearing arcane robes instead. 

Framing our vision of this vile man, the horrific tentacles from earlier were flailing around... presumably under his control!!!

It's not looking good for our heroes!

TO BE CONTINUED...

CAST:

• Buck Hannigan - Me
• Freya Larson - Clare
• Dick Tate - Kevin
• Onyx Jones - NPC*

DIRECTOR:

• Pete

*Unfortunately it appears that Mark will be unable to join us for the foreseeable future. We all wish him the best and look forward to his return to out table as soon as possible.

Buck & Dick (top) and Onyx & Freya (bottom)

If you want to keep abreast of the action in our current season of Pete's Weird Science campaign (currently using the OUTGUNNED ADVENTURES system from Two Little Mice)
then visit this page to find links to all our previous episodes.

Never Lose Sight of Hope, Even In The Darkest of Times

In the remote South Korea village of Hope Harbor, police chief Bum-seok (Hwang Jung- min) and officer Sung-ae (Hoyeon) are called to find a mysterious creature that has wreaked havoc on the village.

In the nearby forest, a coterie of hunters, including Sung- ki (Zo In-Sung) set out to track the beast and find themselves hunted instead.

But all is not as it seems, and perceptions can be misleading. What begins as ignorance plants the seed of disaster, escalating through human conflict into a tragedy of cosmic proportions.

Superman's Found Family Face Ferocious Future

My Adventures with Superman Season Three premieres June 14 on HBO Max across Europe.

Clark, Lois, Jimmy, and Kara juggle life, romance, and visitors from the future.

This found family will have to confront powerful new enemies that challenge Superman, and test the bonds holding them together.

Can our heroes save their tomorrow before it destroys today?

"Half a Year, Half a Year, Half a Year Onward..."

Photo by NASA Hubble Space Telescope on Unsplash

Apologies to Alfred, Lord Tennyson for butchering his iconic opening to The Charge of The Light Brigade for the sake of a cheeky headline.

This blog has now been on "active duty" for six months now... and seems to be ticking over nicely.

To be honest, it actually feels much longer, like the gravitational pull of a black hole warping my perception of time. On one hand life is racing by at an accelerated rate, while on the other the blog wades slowly through treacle.

I realise this iteration of my blogging 'career' has grown out of the detritus and chaos left by my previous near twenty years of blogging, but I somehow fooled myself into thinking that that would make it easier to stay focussed on what I wanted this new edition to be.

This has not been the case.

Of course, I wish there was more tabletop roleplaying gaming material on it, as that was one of the main reasons for returning to the bloggosphere and it's always been where, I felt, I was the most creative.

Previous blogs have boasted gameable material, monsters, magic, and houserules as and when such tickled my fancy or I was suitably inspired. But so far - for the reasons I mentioned the other day - there's been bupkis.

I also wish my health - both physical and mental - was in a better place, but ultimately that's all down to me ensuring I pull my finger out and take positive steps to alleviate those issues.

The erratic heartbeat of the blog's views/hit count over six months

Behind-the-scenes, a conversation the other month with Tim Brannan (of The Other Side) finally managed to rid myself of my obsession with "hits" and where they were coming from.

Looking at the views individual posts are getting also paints a very different picture to the occasional tidal wave of bots scraping the blog as a whole for whatever it is they think they might find here.

Each article gets a pretty consistent amount of visitors that I'm very happy with. When you look at the blog's widgets charting "popular posts" for the week, the "scores" that separate each are usually only one or two hits apart.

These days I'm much more focussed on getting comments - either directly on the blog or on Facebook (where I promote all my posts). Comments, for me, are the lifeblood of blogging and the best, most genuine, reflection of a true connection with your readership.

Obviously, I'd prefer more people left messages on the actual blog, but Facebook has the bonus that readers can simply react to a post without the necessity of sharing their more detailed thoughts on my nonsense. 

Maybe, eventually, I'll write something revolutionary and suddenly my site will blow up with large-scale, genuine engagement, but in the real world I'm more than content to just keep posting my posts for my circle of friends and acquaintances. 

As this new blog continues to grow, I would like to develop that hardcore band of followers - my posse, if you will.

My goal is for "quality" over "quantity". As I've just said, I'm not striving for hits and clicks. Just a coterie of readers willing to interact with my babble, offer constructive criticism, and engage in conversations.

Look to the right and you will see in the side column (below the current 'featured article') a widget entitled Join The Posse. Under avatars for my current Followers is a button marked Follow.

Simply press that and - all being well - your avatar will join the ranks of this group of brave heroes.

I do think you'll need a Google account for this to work (Blogger, after all, is a Google thing).

Not only does this mean that my expertly crafted prose will appear in your Google "Reading List" but it demonstrates to me that you're interested in my waffle and support what I'm doing (without having to part with a single red cent, sign up to Patreon, or back my Kickstarter).

Since I last brought this subject up, I've had two new recruits join our happy little party: my best mate, Paul, and my old online pal Ivy aka The Happy Whisk.

The Battle for Eternia: Have You Chosen A Side?

VERSUS

The Greatest Science Fiction Movies of The 1950s?

Today, we’re heading back to the 1950s and looking at American sci-fi films that still feel important to the genre. Some are major landmarks, others are easier to overlook now, but taken together, they make a strong case for just how good this decade really was.

I cannot tell a lie: I love 1950's sci-fi movies, so this offering from the wonderful Luminism YouTube channel is pure catnip.

A New Breed Of Zombies Is Shambling In From Korea

Horror master Yeon Sang-ho (Train to Busan) directs a new Korean zombie thriller starring Gianna Jun and Koo Kyo-hwan.

Professor Se-jeong (Jun) is thrust into a bloody nightmare when a rapidly mutating virus is released during a biotech conference causing authorities to seal the facility. Trapped inside with no escape, Se-jeong along with a small group of survivors must fight to stay alive while the infected undergo horrific transformations.

Colony (aka Gunche) is directed by Yeon Sang-ho, the man who brought us the epic Train to Busan, one of the definitive zombie flicks of the modern age.

This great-looking, two-hour long, new Korean-language zombie flick opens in American cinemas on August 28.

WHO IS HE-MAN?

Figuring Out My Mummy Issues

It's a definite truism - and a meme - that as you grow older people are less inclined to ask you your favourite dinosaur (it's a diplodocus, by the way) but I've realised the same is true for your favourite monster. Specifically the original Universal Monsters.

I've been thinking about this a lot recently. Not sure exactly why. 

I'm pretty certain my friend, the author Charles R Rutledge would say Dracula, but I really had to put my thinking head on before it struck me which monster I'm most fascinated by.

The Mummy.

Although my favourite old Universal monster movie is, of course, the marvellous Bride of Frankenstein, the actual Bride is only really on-screen for around five minutes.

However, The Mummy is ubiquitous in films, comics, games etc. 

I even did a whole series of Show Me The Mummy movie reviews... and am planning a second such collection of write-ups in due course.

The Mummy was also a key antagonist in both issues of my DIY comic, Monster Mag, that I created as a youngling. For instance, in the first issue it easily defeated the Hulk! You can find issue one here and issue two here. 

From the Advanced Dungeons & Dragons
Monster Manual, pg 72

And I've always been a fan of mummies as monsters in the old school Dungeons & Dragons games of my youth (really must bring them back at some point!).

There were some grand pyramid-themed dungeons in old issues of the Judges Guild magazines around at the time.

But all this has culminated in Rachel buying me a most incredible present the other day: the Ultimate Mummy action figure of Boris Karloff's portrayal in the the original 1932 film.

After thanking her profusely, I excitedly told her I now had an excuse to pick up the Ardath Bey figure and the sarcophagus accessory pack!

There is a rule (well, more of a guideline) in this house that my action figures are "tolerated" as long as they are not kept in their boxes, but put out on display.

However, at the moment, I'm so in awe of my Mummy figure that I can't bring myself to open it quite yet.

I also think I might have a new idea for a theme for my protracted castle tower project as well (inspired by the Egyptian Collection at Lord Carnarvon's Highclere Castle [aka Downtown Abbey])! 

Top Ten Ray Harryhausen Creations

In the week that marked the anniversary of his passing in 2013, what better time to celebrate the creations of the godfather of stop-motion: Ray Harryhausen.

Ape vs Mecha Ape (2023)

After the surprisingly enjoyable nonsense of Ape vs Monster, I'm delighted that The Asylum decided to return to that particular well with an even wilder sequel, Ape vs Mecha Ape.

Nearly two years after the events of the original movie, the American government has been working on a Mecha Ape program (for reasons).

The film opens with the Pentagon taking its giant robot for a test drive in the Eastern European country of Vololodrezjk (aka The Great Sovereignty), where it flattened an illicit chemical weapons factory (along with all the troops guarding it).

Understandably miffed by this, a rogue cadre of elite Vololodrezjkan Foreign Intelligence Division operatives - husband and wife Arnott (Xander Bailey) and Pavla Oalk (Iris Svis), along with hacker Blanka (Lindsey Marie Wilson), Florien (Sady Diallo), and Zara (Eugenia Kuzmina) - head to the States, with the aim of hijacking the Mecha Ape so it will steal a nuclear warhead and detonate it in Chicago.

Meanwhile, our old friend Abraham, the 45-foot tall giant ape with alien DNA in his blood, is about to be moved from his secure location, much to the concern of his main handler, Sloane (Asylum regular Anna Telfer), who has developed a canny method for communicating with the oversized primate using different coloured lights.

However, once Mecha Ape starts his out-of-control rampage (and Sloane ends up trapped inside him!), the American government decides the only course of action is to release Abraham... so he can destroy the Mecha Ape before it has a chance to set off the 1.2 megaton nuclear bomb.

Even though none of the human stars of the original movie return for this sequel, Ape vs Mecha Ape crashes ahead with such gusto that you soon forget about that and are drawn into the unfolding chaos.

The script from writer/director Marc Gottlieb (another familiar name from Asylum credits) does a great job of foreshadowing useful plot twists and - as with the original - distracting from the fact that the two giant creatures don't actually appear onscreen as much as perhaps we would have hoped (although there are plenty of shots of people looking up or reacting to sounds from off-screen).

Obfuscation of plot holes and budgetary deficiencies is handled with deft dollops of technobabble again and extended scenes of people doing anything but interacting directly with the giant ape or towering robot.

However, it's the climactic fight in the streets of Chicago between Abraham and Mecha Ape that we paid the £7 cost of the DVD for and that delivers, once it arrives. Sure, it doesn't last long but the kaiju-scale property damage is still impressive.

I realise the financial limits of an Asylum budget mean the CGI content has to be carefully shepherded but why don't they take a leaf out of the classic Toho playbook and put some stunt people in rubber suits and have them crash around on a model city?

While I don't think Abraham has quite the cachet of a Sharknado just yet, I really hope The Asylum continues this entertainingly silly franchise (although some returning human characters would be a nice, and useful, touch for continuity).

And I want to know more about the Vololodrezjkans! From just the titbits we heard about it here, I reckon that fictional country is prime real estate for a whole cavalcade of Asylum movies.

Ape vs. Monster (2021)

A long-thought lost joint Russian and American space probe crashes back to Earth after 30 years, releasing its simian test pilot, Abraham, into the New Mexico desert.

The chimpanzee, and his craft, are coated with a green, alien goo that causes him to grow at an incredible rate... and unfortunately a passing gila monster lizard sups from the liquid and transforms into a kaiju beast of its own.

Abraham is captured by the American authorities, led by Dr Linda Murphy (Arianna Scott), who has a childhood connection with the ape through the controversial work of her scientist father, Noah Murphy (Rudy Bentz).

Assisted by an old Russian friend, Eva Kuleshov (Katie Sereika), with whom there is obvious sexual tension and an unspoken past, Linda tries to study Abraham while tracking the escaped gila monster, which is tunnelling underground and has some kind of power-dampening field.

Abraham escapes while Linda is away, and it becomes a race against time as both giant creatures appear to be converging on Washington D.C. 

The military, under the gung-ho and patronising General Delaney (R.J. Wagner) wants to blast both creatures off the face of the planet, but Linda believes that Abraham is still the ape she knew as a child and is really on the side of humanity.

Oh, and there's an alien ship coming round the dark side of the Moon that seems to be beaming some kind of mind control ray at the giant monsters.

Just another day at the office.

Originally crafted by the crew at The Asylum as a Godzilla vs Kong mockbuster, Ape vs Monster is an unsurprisingly awful - yet hilarious - flick that just manages to scrape into the "so bad it's good" category, as long as you're willing to cut it a lot of slack.

If you watch the film closely enough, you realise how little the two giant CGI beasties actually appear on screen, but also you gain an appreciation of The Asylum's masterful melding of stock footage with their own material to fill out the 88-minute flick.

It should also be noted that while the giant ape certainly resembles an oversized chimpanzee more than a direct rip-off of King Kong, the mutated gila monster bears more than a passing resemblance to Godzilla.

Dramatic action scenes are broken up by protracted, earnest, exchanges of waffle and technobabble in an attempt to stitch together a nonsensical story into something an easy-going (possibly drunk) audience might be willing to swallow.

And while it starts off far-fetched, the plot of Ape vs Monster rapidly goes so far off the rails that credibility is stretched beyond breaking point and the moment they start talking about "aliens" you can't help but wonder if you're somehow watching an entirely different movie.

However, I certainly don't regret the £2.35 I spent on Amazon to buy the DVD of this movie, and I can't wait to see what Abraham gets up to next.

HERE BE GODS AND MONSTERS

All-encompassing darkness and occasionally dodgy dialogue aside, this first trailer for Christopher Nolan's all-star take on Homer's The Odyssey still oozes epic potential.

Dragon Crusaders (2011)

You have to admire the unrepentant chutzpah of The Asylum for its continued use of unattributed quotes making grandiose claims on their DVD boxes.

For Dragon Crusaders, an "anonymous critic" has declared it: "an epic action adventure in the tradition of Clash Of The Titans and Reign Of Fire!"

The Reign Of Fire angle being that it features dragons and the only Clash Of The Titans (presumably the remake) connection is the use of dodgy CGI - and, to be honest, it's actually a bit better here.

Dragon Crusaders is typical, low-budget Asylum mockbuster fare, but I've always contended that their fantasy, sword-and-sorcery titles are among their best - 2006's Dragon was the first Asylum flick I saw and remains my favourite.

A group of outlawed Knights Templar are fleeing across faux-Medieval England to find a sanctuary from the pursuing soldiers of the king (who we never see and are quickly forgotten about) when they are distracted by sounds of battle in a nearby town, which is being raided by pirates.

The Templars - of course - ride in and save the day, slaying the pirates, and then heading out to the pirate ship (which looks oddly anachronistic) to finish the job.

Unfortunately, as they arrive, a captive witch - Neem (Shinead Byrne) - on the ship has just finished invoking a curse that any who set foot on the boat and have shed blood will be transformed into demonic gargoyles.

The curse has a couple of twists - first anyone affected by it, but slain before the transformation takes place, will rise as a revenant and secondly the purer the soul of the cursed the longer the transformation will take.

Dispatching the pirate-revenants with the aid of wandering warrior woman Aerona (Cecily Fay), Neem reveals that she found the curse in a grimoire she stole from the "Black Dragon" sorcerer who has her people in thrall.

And the only way to break the curse is to travel to the Black Dragon's fortress and slay him. Oh, and Faolon (Steve McTigue) is called the Black Dragon because he can transform into one and has another seven, smaller dragons under his control.

There's witchcraft, bickering, internal disputes, chaste romance and some pretty decent fight scenes (even if one of the largest, against an entire 'village' of the sorcerer's slaves, just seems to suddenly stop without any resolution) along the way and if you can ignore the plot holes, dreadful acting, cheesy dialogue and laughable attempts at banter, Dragon Crusaders is an okay film.

Welsh-location filming certainly adds to the verisimilitude, and the woodlands and sweeping, rolling landscape makes for a dramatic backdrop to the action.

A 'silent' knight turns up at one point, peppering our heroes with arrows, seemingly commanding Faolon's dragons and then challenging the lead Templar, John (Dylan Jones), to single combat... but then disappears from the story as suddenly as he appeared.

Throw in some exploding salt peter for good measure, some slick fight moves from Aerona and the Templar's resident archer (Feth Greenwood) and there's quite a bit to keep you entertained for an hour-and-a-half as long as you aren't expecting a replay of Peter Jackson's Lord Of The Rings or either iteration of Conan The Barbarian.

Grimm's Snow White (2012)

Remember the other week when I was reviewing fairy tale films? Well, I thought I'd kick off this week of Asylum movies with one of their "fairy tale"-inspired offerings: Grimm's Snow White.

Once again The Asylum proves that their strength lies in fantasy stories with this joyously gonzo, kitchen-sink spin on the story of Snow White that throws elves, dragons and magical falling stars into the traditional mix.

On the other hand there are no dwarves (that's where the elves come in - it being easier to stick pointed ears on an extra than turn them into little people) or poisoned apples (there's a poisoned ring instead) in this tale.

A long time ago a star fell from the skies and where it fell a magical flame sprung up that created the dragons and the elves.

Queen Gwendolyn (Jane March) of Whitevale wants to get her hands on the magical flame - the source of the elves' magic - but it is in the neighbouring land of North Phalia.

So she engineers the death of her husband and then sets about winning the heart of the North Phalian prince, Alexander (Jamie Thomas King).

Unfortunately for the queen, Alexander has fallen for her drippy step-daughter Snow White (Eliza Bennett).

Therefore, the queen arranges for Snow to meet with an unfortunate accident in the woods at the hands of her huntsman... only she is rescued by the elves.

Initially the elves, especially the outspoken Orlando (see what they did there?), played by Alan Burgon, don't want to get involved in the affairs of humans for fear it will bring further oppression down on them.

Eventually, of course, Snow wins them round and everything culminates in a deliriously lacklustre woodland battle between about a dozen elves and a similar number of the queen's troops (this is supposed to be a major battle, by the way).

Some of the acting, especially from the heavily-accented extras, is a bit stilted, the CGI dragons are pretty poor and the queen's CGI hunting dogs have clearly been based on the Garmr from its 2011 Thor-mockbuster Almighty Thor.

Yet there are elements (albeit minuscule) of an inventive story here - even if, ultimately, it comes to nothing.

There are hints of an interesting take on elves and the whole deal with the Veridian Flame is a really nice touch which, hopefully, the Asylum might pick up and run with in another of their fantasy flicks. It seems too good a concept to dismiss as simply a MacGuffin in Grimm's Snow White.

I'm not sure what went wrong with the non-fire-breathing dragon though as I've seen better in Asylum flicks - perhaps they blew the budget on rubber elf ears and costuming, as there's a distinctly well-tailored Georgian feel to many of the outfits worn by the human characters.

Eliza Bennett is rather unimpressive as Snow White and totally overshadowed by Jane March's evil step-mother, clearly loving the chance to devour some scenery in her wonderfully melodramatic role.

Most Definitely Not Milla Jovovich's Resident Evil

From the mind of visionary filmmaker Zach Cregger (Weapons, Barbarian) comes a thrilling - and terrifying - reinvention of the Resident Evil franchise.

In an all-new story, Resident Evil follows Bryan (Austin Abrams), a medical courier who unwittingly finds himself in an action-packed, non-stop race for survival as one fateful, horrifying night collapses around him in chaos.