Thursday, June 5, 2025
THROWBACK THURSDAY: School Daze
Having somehow fluked a scholarship to the prestigious Tonbridge School (I think I used to be smart... but also lazy; some things haven't changed, at least), I attended Yardley Court Prep School for three years and the picture above is our class photo from 1979, when I was a mere twelve-and-a-half years old.
I still recognise about 50 per cent of my classmates; that's me on the front row, at the right end.
My best friends were Nicholas Drewett, to my left - whose dad was an ambassador (or some such) and so often during the holidays Nicholas would stay with us as his parents were out of the country - and Tom Edwards, at the left-hand end of the middle row. His parents owned a massive farm house just outside of Tonbridge that I loved visiting.
Tom and I used to play Dungeons & Dragons in the school dormitory (even though neither of us were boarders, and probably shouldn't have been in there). I particularly recall a series of adventures inspired by Hitchhikers Guide To The Galaxy (Tom had introduced me to the radio show, for which I owe him eternal thanks).
Our form teacher was the Rev Gary Dobbie, who was one of the first (after one of my primary school teachers) to encourage me in the field of creative writing.
As with much of my past, the combination of time and brain damage means that much of my school days are a blur or simply gone forever, but looking at this array of innocent young faces I can't help but wonder what my peers have all got up in their lives since then.
Sadly, when I left Yardley - not to go to Tonbridge School (as, even with a scholarship, there was no way my parents could afford the fees, and - to be honest - I wasn't that bothered anyway) - I lost contact with them all, to a man.
Either through my parents, or my job on the local paper, I made fleeting contact with a couple of them in later years, but nothing of enduring importance.
Character Posters For The Bad Guys in Superman




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| I'm sure Metamorpho is being coerced into villainy and will be revealed as a goodie! |
Labels:
film,
james gunn,
lex luthor,
metamorpho,
superman,
trailer
The Thicket (2024)

Poor Jack Parker (Levon Hawke, brother of Stranger Things' Maya Hawke) has just lost his parents to small pox when a roving band of outlaws kills his grandfather (Guy Sprung) and kidnaps his sister, Lula (Esmé Creed-Miles, Delirium of The Endless in the Netflix adaptation of The Sandman).
The villainous gang of murderers and robbers is led by the seriously messed-up (both physically and mentally) Cut Throat Bill (the always interesting Juliette Lewis channelling her own Mallory Knox from Natural Born Killers and Jennifer Jason Leigh's Daisy Domergue from The Hateful Eight), who immediately takes an 'interest' in Lula.
Seeking assistance to track down his sister, Jack recruits bounty hunter Reginald Jones (Peter Dinklage) and his sidekick Eustace Howard (Gbenga Akinnagbe), who themselves are being pursued by a posse dispatched by a former client that Jones had a justified "disagreement" with.
Along the way, Jack liberates 'trainee' prostitute Jimmy Sue (Leslie Grace), who joins their hunting party, freeing her from the oily grasp of brothel owner Hector (Andrew Schulz), a wonderfully sleazy, scenery-chewing cameo that could front his own spin-off.
Based upon Joe R Lansdale's novel of the same name, The Thicket is set in the snowy north of America in the early years of the 20th Century, allowing for the appearance of the occasional primitive motorised vehicle. These, however, fade from the story the deeper the protagonists push into the wilderness in their pursuit of Cut Throat Bill and her men.
Juliette Lewis is a simmering pot of madness, ready to erupt at any moment, and the pivotal scene where she and Jones face off - in conversation - across at table in a shadowy trading post on the edge of civilization is a powerful moment, clearly echoing the similar, famous, restaurant scene in Heat.
Directed by Elliott Lester, superficially there are similarities in the story of The Thicket to True Grit, but the characters - most of whom are very rounded and well-developed - and the snow-covered locales are of a tonally different calibre to those seen in either Charles Portis's 1968 novel or Hollywood's two adaptations.
Ultimately, however, the plot of Chris Kelley's script for The Thicket is (ironically) quite thin and it's the eccentric, hard-bitten characters at the film's heart that hold the viewer's attention and fascination.
I suspect Lansdale's original 2013 novel (which takes place, instead, in a heavily forested area in Southeast Texas) has more depth to it (it's on my TBR list, so I hope to find out soon) and goes further into the motivations that set these events in motion.
Labels:
book,
film,
film review,
netflix,
Peter Dinklage,
stranger things,
the sandman,
western
Wednesday, June 4, 2025
Tuesday, June 3, 2025
The Autopsy Of Jane Doe (2016)
In this age of frustrating spoilers scuppering any possibility of being surprised by great storytelling, it's brilliant to find a mystery movie that I can go into knowing almost nothing about what I'm about to see.
The Autopsy Of Jane Doe is a magnificent film to experience with as little advanced knowledge as possible.
So, I shall try and be as vague as I can in this short review.
Late one night a father and son team of coroners - Tommy (Brian Cox) and Austin (Emile Hirsch) - are brought the corpse of a young woman (played by Olwen Kelly), found half-buried in the basement of a house where the two residents had seemingly been murdered in a possible home invasion.
Sheriff Burke (Michael McElhatton) wants some answers by the next morning, so the coroners are going to have to work through the night.
The investigators soon discover that although externally "Jane Doe" appears quite unblemished, internally she's a mess of strange, violent, injuries.
And from there their analysis gets even weirder.
Like a bottle episode of a TV show, The Autopsy Of Jane Doe largely takes place within a single, very claustrophobic, locale: a subterranean morgue.
And director André Øvredal, of Troll Hunter fame, makes clever use of this and his limited cast, which includes an all-too-brief appearance by the lovely Ophelia Lovibond as Austin's girlfriend, Emma.
It's a clever, Sherlockian mystery, where the clues are methodically uncovered, and the two main protagonists behave as close to "real people" - rather than characters in a horror flick - as I have seen in this genre for a long while.
The Autopsy Of Jane Doe is a classy horror film, geared more towards unnerving its audience than shocking them with stupid jump scares.
Honestly, I can't say anything more for fear of spoiling the twists and turns.
First Trailer for Guillermo del Toro's Frankenstein
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Written and directed by Guillermo del Toro, Frankenstein is on Netflix this November. Starring Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, with Charles Dance, and Christoph Waltz.
Oscar-winning director Guillermo del Toro adapts Mary Shelley’s classic tale of Victor Frankenstein, a brilliant but egotistical scientist who brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation.

Labels:
book,
film,
Frankenstein,
Guillermo del Toro,
horror,
Mia Goth,
monster,
netflix,
trailer
Monday, June 2, 2025
Sunday, June 1, 2025
PULP PICTURE OF THE MONTH: Tarzan's Greatest Adventure (1959)
... Or "The One Where Tarzan Kills James Bond!"
Blacked up to pass as natives, four Western criminals raid an African settlement to steal explosives and supplies, killing a couple of people in the process.
The only lead the authorities and Tarzan (Gordon Scott) have is the name 'Slade', but it's a name Tarzan knows well as he has history with this ruthless, thrill-seeking, big game hunter.
Following Slade's boat upriver, Tarzan rescues gobsmackingly-gorgeous aviatrix Angie (Sara Shane) when her light plane crashes in the jungle (admittedly she was showing off, trying to attract the Ape Man's attention!).
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| Sara Shane as Angie |
That is, as long as they don't kill each other before they get there.
And as long as they can evade Tarzan!
As well as actually being filmed in Africa (Kenya), Tarzan's Greatest Adventure is quite a grown-up take on the legend of Tarzan, sticking closer to the brutality of Edgar Rice Burroughs' original tales - even if Scott is still quite a well groomed and clean-shaven Lord of the Jungle.
The bulk of the movie focuses on Tarzan's manhunt for the murderous Westerners, as the villainous party is gradually whittled down ahead of the inevitable - but still rather impressive - climactic confrontation between Tarzan and Slade.
As usual with a Tarzan flick of this era, the film features a fair amount of stock wild animal footage, but the bulk of the film rests on the shoulders of its two male leads - Scott and Quayle - who deliver powerful performances.
Without any reference to Jane in the film, Sara Shane, who has a certain Gillian Anderson quality to her, is not only a beautiful companion for the Lord of the Jungle, but is also - in her last cinematic role - clearly able to hold her own.
However, when - at the denouement, even after some off-screen rumpy pumpy - Tarzan has to choose between the woman and his life in the jungle, guess which he chooses?
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| Gordon Scott & Sara Shane as Tarzan & Angie in Tarzan's Greatest Adventure |
Labels:
ERB,
film,
film review,
james bond,
pulp,
retro review,
tarzan
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My pop culture Odyssey: a slice of super-powered geek life with heavy emphasis on pulp adventure, horror, comic books, westerns, superheroes, sci-fi, giant monsters, zombies etc






















